Sebastian Krzyszkowiak @dos@librem.one

Does anyone happen to know whether the old data of #identica users that weren't migrated over when it switched from #StatusNet to #pumpio has been archived anywhere? I see a mention that there was a plan to upload it to @internetarchive, but can't find anything more than that. #fediverse #ostatus

I can somewhat excuse #itchio for not resolving #fediverse handles with #WebFinger, effectively limiting their support to (not all) #Mastodon instances even if their reason to not do so is rather silly, but this coming out of #Valve's resourceful #Steam is just ridiculous.

Apparently Bluesky doesn't do audio, so if you're reading there, head out to the original thread to listen to what I'm talking about: https://social.librem.one/@dos/113499687034381513

Fun fact: this whole thing inspired one of my first jam games that I made for #LudumDare in 2015. In "Radio Edit" you fight to defend your artistic integrity from evil label representatives with your facemelting guitar licks 😄 /EOT

One song got completely vetoed by the label. It was eventually released online (with some involvement of yours truly, but that's another story 😁), however, I'm afraid you'll have to understand its Polish lyrics to figure out what's the deal with this one 😉 https://www.youtube.com/watch?v=vfV4rTpAj3Y

"To" went through the least invasive transformation - it only got its (rather intense) bridge removed and chorus repeated. However, it lost part of its lyrics in the process - as did "Każdej nocy" along some other arrangement changes.

Who cares whether the lyrics still make sense, just ship it 😂

Apparently, the label decided that rock is dead and there's no place for guitar solos in popular music anymore 🙃 The whole bridge has been redone, with live drum stem replaced with drum machine across the whole track.

Let's move to another song: somewhat melancholic "Ty wiesz" was supposed to burst into an energetic bridge with guest solo by prolific guitarist Jacek Królik.

The edited version goes much further to fill the space with instruments. The most obvious are drums, but there's also plenty of electric guitar licks. Gone is Markowski’s vocals’ trademark liberal rhythmic expression, all syllables are put into their place and extended or shortened as appropriate.

It diverges more as the song goes on. The original arrangement relies almost exclusively on acoustic guitar and string quartet to set the mood, with a little touch of bass melody.

One such difference strikes already within the first seconds of intimate ballad "Wybacz mi" with how the vocals are processed.

Original first, then radio edit.

This gives us a pretty unique opportunity to look at what the label actually changed, as its involvement only started after the material was first done the way the artists intended.

So let's do just that 😁