and some behind the scenes ish on the #tui #daw i keep writing in #rustlang almost every day for the past almost 6 months:
i have no idea where the extra red or green padding is coming from, but it seems to be the source of misalignment between scene headers and arrangement grid rows.
that's why i'm proptesting the shit instead of idk watching #penguindrum. just bought me a ticket to a short trek to the home planet to stack up on legacy credentials, jetlag here we go
@unspeaker
> i have no idea where the… is coming from
> instead of idk watching penguindrum
Don't worry, that show makes even less sense 😂
@unspeaker
Actually I really like Mawaru Penguindrum, and up to the very end the development is very consistent with lots of great twists, every 4-5 episodes you feel like opening a box containing a box that you were previously in… I have a habit of rewatching it once every few years, but last year the grand finale felt anti-climactic to me. It's supposed to be "mysterious" and all, and when I was younger it did feel that way, but now I think that it's just abrupt.
@unspeaker
On the other hand, the same is true for other shows of Kunihiko Ikuhara: Yurikuma Arashi and Sarazanmai are also like that. IDK, maybe it's supposed to be this way.
In any case, let it not spoil the show for you as it doesn't make it any worse overall, other than the finale, the plot is great, the visuals are stunning and Etsuko Yakushimaru's music in the show's opening is top notch!
@m0xee it would have been grand if the villain's name was revealed to actually be Fabulous Max (his name having become an idiom John Galt style). woulda been a cool lampshade on the whole "bishonen kamisama" archetype who represents who the hell knows what in the japanese national worldsoul