The old G4 Cube has an important mission β aside from mixing several channels β : it brings more voice variations in the usual TV shows.
Why write good comedy (on states refusing to feed low income school kids, ha ha ) when you can just adjust the pitch and save on Helium Balloons ? π
@santiago
Don't you have to do some sort of time-stretching to accomplish this without speeding the video up? π€
@m0xee Iβll be honest and tell you I have no idea how these filters works :-) But of course they act only on the audio and have no access on the video happening on the other computer.
@santiago
Probably the same thing Ableton Live does when it gives you the option to transpose the audio track, but keep it the same length β not that it was invented there, there were earlier pitch shifting techniques, but the fact that it works on a G4 in real time makes it admirable π
@santiago
Yeah, with proper algorithms that hardware could kick some serious ass! I remember me and my friends using a 1,5 GHz G4 Mac Mini with a gig of RAM for our jams β two MIDI controllers plus bass and mic connected to a Firewire audio card β the UI in Live could go completely unresponsive, but audio recording went on for hours π
And nowadays it's not powerful enough to host Pleroma π’
@m0xee I remember when they started adding a secondary processor (before it was cores) people didnβt really know what to do with them. I remember that PPC904e at work had secondary CPU and only some Photoshop filters knew how to actually use them. The rest of the time it was mostly sleeping. BeOS PR2 was impressively good at using both.
Now any machine with less than four cores will die from the overhead of βbasicβ system services.