Note: In addition to the unusual instrument and unusual language, this track appears to have something unusual going on from a music theory perspective, which I am unqualified to actually understand. The musician says he composed the song "using the classical movement of parallel fifths". I'm reading the Wikipedia and don't quite understand it but I think this will inherently make the song sound either subtly "wrong" and evil, or at least like it was composed before 1300
@dos HARD ROCK GREGORIAN MODE